{"id":45757,"date":"2022-04-12T15:02:13","date_gmt":"2022-04-12T14:02:13","guid":{"rendered":"https:\/\/www.tornabuoniart.com\/?p=45757"},"modified":"2022-05-06T15:47:29","modified_gmt":"2022-05-06T14:47:29","slug":"pier-paolo-calzolari-on-fire","status":"publish","type":"post","link":"https:\/\/www.tornabuoniart.com\/it\/pier-paolo-calzolari-on-fire\/","title":{"rendered":"Pier Paolo Calzolari – On Fire"},"content":{"rendered":"

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<< torna al menu<\/a><\/em><\/span><\/p>\n

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Vedute della mostre<\/h2>\n

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Opere in mostra<\/h2>\n

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Per me il fuoco e\u0300 una delle energie primarie che guardo in maniera elementare, democratica e orizzontale.<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Pier Paolo Calzolari, Lisbona, 2022<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Cos\u00ec come concettualizzato nell\u2019Arte Povera, Pier Paolo<\/strong> Calzolari<\/strong> lavora fin dall\u2019inizio con materiali in costante conversazione tra loro, umili e provenienti dai contesti semi-industriali urbani o elementi naturali. Tra questi ci sono il fuoco, il legno, ma anche rottami, oggetti quotidiani e tubi al neon. Le sue opere sono opere d\u2019incontro in tutti i sensi, tra lo spettatore e l\u2019oggetto che vive nel quotidiano, ma che in questo caso ha subito una trasformazione, ma anche tra elementi artificiali e lavorati in opposizione all\u2019elemento naturale e allo stato primordiale, come il fuoco. Dal 21 al 24 aprile, in occasione della vernice, si terr\u00e0 la performance Mangiafuoco<\/em> in cui un vero e proprio performer sputer\u00e0 fuoco a cadenza oraria, dalle 11 alle 19.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”47120″ img_size=”large”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

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Nato a Bologna nel 1943, Pier Paolo Calzolari<\/strong> trascorre l\u2019infanzia e l\u2019adolescenza a Venezia, il cui patrimonio artistico ed estetico lascia una traccia profonda sulla sensibilita\u0300 del futuro artista.<\/p>\n

Nel 1965 realizza a Bologna i primi lavori di pittura e presenta i primi film di Ari Marcopoulos, Andy Warhol, Jonas Mekas e Mario Schifano. Nel frattempo, incontra personaggi come Allen Ginsberg, Julian Beck, Luigi Ontani, Raymond Hains e Chet Baker. Nel 1966-1967 realizza la prima delle sue opere-performance, che coinvolge gli spettatori in una partecipazione diretta dell\u2019opera e che Calzolari stesso definisce una \u201cattivazione dello spazio\u201d. Tra il 1967 e il 1972 si muove tra Parigi, New York e Berlino e porta a maturazione il suo progetto artistico.<\/p>\n

E\u0300 in questi anni che Calzolari viene incluso nel movimento dell\u2019Arte Povera e realizza un ampio ciclo di lavori con strutture ghiaccianti e neon in cui la formazione della brina sulle forme, sancita dal passaggio del tempo, e\u0300 indice del processo di trasformazione alchemica della materia. In questo modo gli oggetti e i materiali che l\u2019artista utilizza fin dal 1967 (fuoco, ghiaccio, piombo, stagno, sale, muschio, tabacco), conoscono una seconda vita accanto agli elementi luminosi, traccia della lucentezza del marmo veneziano.<\/p>\n

A partire dal 1972, l\u2019artista si concentra sullo studio di una pittura anticonvenzionale. Preferendo nuovi \u201csupporti\u201d, come la flanella o fogli di cartone incollati sulla tela, l\u2019artista giustappone segni pittorici a oggetti reali, come piccole barche di carta o trenini in movimento lungo percorsi ripetuti all\u2019infinito, portando il rituale della quotidianita\u0300 sul piano dell\u2019esperienza estetica e in rapporto orizzontale con il mondo e con la storia, pur continuando a cercare di mantenere un legame con il coinvolgimento fisico delle persone.<\/p>\n

Il suo percorso, malgrado la prossimita\u0300 evidente con la produzione coeva degli artisti suoi contemporanei, e\u0300 caratterizzato da diversi elementi peculiari: la volonta\u0300 di saturazione dei sensi, la modalita\u0300 nel rendere visibili i dati del pensiero astratto e l\u2019essenza delle cose, nonche\u0301 l\u2019attenzione particolare rivolta alla fragilita\u0300 di oggetti e materiali.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[vc_row][vc_column][vc_column_text] << torna al menu [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/vimeo.com\/698619044″][vc_separator][vc_empty_space][vc_separator][vc_column_text] Vedute della mostre [\/vc_column_text][vc_gallery interval=”3″ images=”47117,47108,47111,47114″ img_size=”full”][vc_column_text] Opere in mostra [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_empty_space][vc_empty_space height=”24px”][vc_single_image image=”45765″ img_size=”1260×843″ add_caption=”yes” alignment=”center”][vc_empty_space height=”24px”][vc_empty_space height=”24px”][vc_single_image<\/p>\n","protected":false},"author":5,"featured_media":45318,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[295,1],"tags":[],"class_list":["post-45757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-295","category-news"],"acf":[],"yoast_head":"\nPier Paolo Calzolari - 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