{"id":45352,"date":"2022-04-08T12:38:39","date_gmt":"2022-04-08T11:38:39","guid":{"rendered":"https:\/\/www.tornabuoniart.com\/alberto-burri-on-fire\/"},"modified":"2022-05-06T14:20:42","modified_gmt":"2022-05-06T13:20:42","slug":"alberto-burri-on-fire","status":"publish","type":"post","link":"https:\/\/www.tornabuoniart.com\/it\/alberto-burri-on-fire\/","title":{"rendered":"Alberto Burri – On Fire"},"content":{"rendered":"

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Vedute della mostra<\/h2>\n

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Opere in mostra<\/h2>\n

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Combustione Plastica<\/em>, 1957<\/h4>\n

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Rosso Plastica M3<\/em>, 1961<\/h4>\n

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Grande Nero Plastica L.A.<\/em>, 1964<\/h4>\n

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Legno Sp<\/em>, 1958<\/h4>\n

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Plastica M1<\/em>, 1962<\/h4>\n

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Combustione<\/em>, ca. 1969<\/h4>\n

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Metto la plastica e la brucio. Niente di casuale. Questa che faccio e\u0300 la piu\u0300 controllata e la piu\u0300 controllabile delle pitture […] a me piace di conservare l\u2019immagine della combustione come fosse una bruciatura in atto<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Alberto Burri, in M. Venturoli, Il pennello di fuoco, in \u201cLe Ore\u201d, n. 32, 12 agosto 1965<\/h4>\n

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Quello di\u00a0Alberto Burri<\/strong>\u00a0con il fuoco \u00e8 un rapporto che nasce, e riunisce, l\u2019ispirazione creativa e la formazione scientifica. \u201cPer molto tempo ho voluto \u2013 annota l\u2019artista \u2013 approfondire il modo in cui il fuoco consuma, comprendere la natura della combustione e come tutto possa vivere e morire nella combustione per formare un\u2019unit\u00e0 perfetta\u201d. Burri spiega che prima di tutto ha bisogno di una superficie su cui disporre la composizione\u2026 Poi vi depone la plastica e la brucia. \u201cNulla \u00e8 lasciato al caso. Quello che faccio qui \u00e8 il tipo di pittura pi\u00f9 controllato e controllabile\u2026Bisogna controllare il materiale e questo si ottiene padroneggiando la tecnica.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Alberto Burri<\/strong> nasce a Citta\u0300 di Castello nel 1915 e si laurea in Medicina all\u2019Universita\u0300 di Perugia nel 1940.<\/p>\n

Medico militare nell\u2019esercito italiano, e\u0300 catturato dagli Alleati nel 1943 e incarcerato come prigioniero di guerra in Texas, negli Stati Uniti.
\nE\u0300 allora che decide di lasciare la professione medica per dedicarsi alla pittura. Tornato in Italia nel 1946, si stabilisce a Roma. Nel 1948 abbandona definitamente l\u2019arte figurativa in favore di quella astratta e si interessa al potenziale espressivo delle materie prime. Nel 1950 realizza i suoi primi Sacchi<\/em>, opere che dominano le personali seguenti, organizzate in varie citta\u0300 americane ed europee. Nel 1951 partecipa al Gruppo Origine<\/em> con Mario Ballocco, Giuseppe Capogrossi ed Ettore Colla. Nel 1952 partecipa per la prima volta alla Biennale di Venezia, dove e\u0300 invitato nuovamente nel 1960, 1964, 1966 e 1968. Tra il 1952 e il 1953, l\u2019arte
\ndi Burri attira l\u2019attenzione internazionale grazie a mostre a New York e Chicago.<\/p>\n

Negli anni cinquanta e sessanta realizza vari cicli di opere utilizzando il fuoco su diverse materie prime: nascono cosi\u0300 le Combustioni<\/em>, i Legni<\/em>, i Ferri<\/em> e le Plastiche<\/em>. Negli anni settanta, mentre le sue opere vengono esposte in mostre personali e collettive presso alcuni dei musei piu\u0300 prestigiosi del mondo \u2013 tra cui il Museo Civico di Torino (1971), il Muse\u0301e National d\u2019Art Moderne di Parigi (1972), la Tate Gallery di Londra (1974), la Galleria Nazionale d\u2019Arte Moderna di Roma (1976) e il Solomon R. Guggenheim Museum di New York (1978) \u2013, sviluppa i cicli Cretti<\/em> e Cellotex<\/em>.<\/p>\n

Burri crea la Fondazione Palazzo Albizzini Collezione Burri a Citta\u0300 di Castello nel 1978. Qui espone una collezione permanente di opere selezionate, la cui installazione, curata da lui stesso, e\u0300 rimasta invariata fino a oggi.<\/p>\n

Nel 1989 la Fondazione Palazzo Albizzini acquisisce gli ex Seccatoi del Tabacco a Citta\u0300 di Castello. Queste strutture dell\u2019architettura industriale diventano la sede perfetta per i cicli monumentali di dipinti e le sculture site specific realizzati dall\u2019artista. Alberto Burri muore a Nizza il 13 febbraio 1995.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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