{"id":45759,"date":"2022-04-12T15:02:13","date_gmt":"2022-04-12T14:02:13","guid":{"rendered":"https:\/\/www.tornabuoniart.com\/?p=45759"},"modified":"2022-05-06T15:49:31","modified_gmt":"2022-05-06T14:49:31","slug":"pier-paolo-calzolari-on-fire","status":"publish","type":"post","link":"https:\/\/www.tornabuoniart.com\/fr\/pier-paolo-calzolari-on-fire\/","title":{"rendered":"Pier Paolo Calzolari – On Fire"},"content":{"rendered":"

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Vues d’exposition<\/h2>\n

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Oeuvres expos\u00e9es<\/h2>\n

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Pour moi, le feu est l\u2019une des \u00e9nergies primaires que je regarde de mani\u00e8re \u00e9l\u00e9mentaire, d\u00e9mocratique et horizontale.<\/span><\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Pier Paolo Calzolari, Lisbonne, 2022<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Tel que conceptualis\u00e9 dans l’Arte Povera, Pier Paolo Calzolari<\/strong> travaille depuis le d\u00e9but avec des mat\u00e9riaux en constante conversation les uns avec les autres, humbles et issus de contextes urbains semi-industriels ou d’\u00e9l\u00e9ments naturels. Il s’agit notamment du feu, du bois, mais aussi de la ferraille, des objets du quotidien et des tubes n\u00e9ons. Ses \u0153uvres sont des rencontres dans tous les sens du terme, entre le spectateur et l’objet qui vit au quotidien, mais qui dans ce cas a subi une transformation, mais aussi entre \u00e9l\u00e9ments artificiels et travaill\u00e9s en opposition \u00e0 l’\u00e9l\u00e9ment naturel et \u00e0 l’\u00e9tat primordial, comme le feu. Du 21 au 24 avril, \u00e0 l’occasion du vernissage, aura lieu la performance Mangiafuoco<\/em> dans laquelle un v\u00e9ritable interpr\u00e8te crachera du feu toutes les heures, de 11h \u00e0 19h.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”47122″ img_size=”large”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

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N\u00e9 \u00e0 Bologne en 1943, Pier Paolo Calzolari<\/strong> passe son enfance et son adolescence \u00e0 Venise, dont l’h\u00e9ritage artistique et esth\u00e9tique a profond\u00e9ment marqu\u00e9 la sensibilit\u00e9 du futur artiste.<\/span><\/p>\n

En 1965, il r\u00e9alise ses premiers travaux de peinture \u00e0 Bologne et pr\u00e9sente les premiers films d’Ari Marcopoulos, Andy Warhol, Jonas Mekas et Mario Schifano. Entre-temps, il a rencontr\u00e9 des gens comme Allen Ginsberg, Julian Beck, Luigi Ontani, Raymond Hains et Chet Baker. En 1966-1967, il cr\u00e9e la premi\u00e8re de ses \u0153uvres-performances, qui implique les spectateurs dans une participation directe \u00e0 l’\u0153uvre et que Calzolari lui-m\u00eame d\u00e9finit comme une \u00ab activation de l’espace \u00bb. Entre 1967 et 1972, il se d\u00e9place entre Paris, New York et Berlin et porte \u00e0 maturit\u00e9 son projet artistique.<\/span><\/p>\n

C’est au cours de ces ann\u00e9es que Calzolari est inclus dans le mouvement Arte Povera et r\u00e9alise un grand cycle d’\u0153uvres aux structures glac\u00e9es et de n\u00e9on dans lesquelles la formation de givre sur les formes, sanctionn\u00e9e par le passage du temps, est une indication du processus de la transformation alchimique de la mati\u00e8re. Ainsi les objets et mat\u00e9riaux que l’artiste utilise depuis 1967 (feu, glace, plomb, \u00e9tain, sel, mousse, tabac), connaissent une seconde vie aux c\u00f4t\u00e9s des \u00e9l\u00e9ments lumineux, trace de l’\u00e9clat du marbre v\u00e9nitien.<\/span><\/p>\n

\u00c0 partir de 1972, l’artiste se concentre sur l’\u00e9tude d’une peinture non conventionnelle. Pr\u00e9f\u00e9rant de nouveaux “supports”,\u00a0 tels que la flanelle ou des feuilles de carton coll\u00e9es sur la toile, l’artiste juxtapose des signes picturaux \u00e0 des objets r\u00e9els, tels des petits bateaux en papier ou des trains se d\u00e9pla\u00e7ant le long de parcours r\u00e9p\u00e9t\u00e9s \u00e0 l’infini, amenant le rituel de la vie quotidienne sur le plan de l’exp\u00e9rience esth\u00e9tique et dans une relation horizontale avec le monde et l’histoire, tout en continuant \u00e0 essayer de maintenir un lien avec l’implication physique des gens.<\/span><\/p>\n

Malgr\u00e9 sa proximit\u00e9 \u00e9vidente avec la production contemporaine de ces artistes, son travail se caract\u00e9rise par plusieurs \u00e9l\u00e9ments singuliers : le d\u00e9sir de saturer les sens, la modalit\u00e9 de rendre visible les donn\u00e9es de la pens\u00e9e abstraite et l’essence des choses, ainsi que l’attention particuli\u00e8re port\u00e9e \u00e0 la fragilit\u00e9 des objets et des mat\u00e9riaux.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[vc_row][vc_column][vc_column_text] << retour au menu [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/vimeo.com\/698619044″][vc_separator][vc_empty_space][vc_separator][vc_column_text] Vues d’exposition [\/vc_column_text][vc_gallery interval=”3″ images=”47119,47110,47113,47116″ img_size=”full”][vc_column_text] Oeuvres expos\u00e9es [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_empty_space][vc_empty_space height=”24px”][vc_single_image image=”45767″ img_size=”1260×843″ add_caption=”yes” alignment=”center”][vc_empty_space height=”24px”][vc_empty_space height=”24px”][vc_single_image image=”45773″ img_size=”1132×688″<\/p>\n","protected":false},"author":5,"featured_media":45317,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[295,1],"tags":[],"class_list":["post-45759","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-295","category-news"],"acf":[],"yoast_head":"\nPier Paolo Calzolari - 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