{"id":34085,"date":"2021-04-29T16:36:13","date_gmt":"2021-04-29T15:36:13","guid":{"rendered":"http:\/\/www.tornabuoniart.com\/34085\/"},"modified":"2021-06-01T14:32:00","modified_gmt":"2021-06-01T13:32:00","slug":"34085","status":"publish","type":"post","link":"https:\/\/www.tornabuoniart.com\/fr\/34085\/","title":{"rendered":"\u00ab Colui che sono \u00bb d’Emilio Isgr\u00f2 est entr\u00e9 dans la collection permanente du Palais Quirinale, Rome"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

<< retourner aux news<\/a><\/em><\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image source=”featured_image” img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Emilio Isgr\u00f2, Colui che sono<\/em>, 2020,
\nacrylique sur toile, sur panneau, installation (4 \u00e9l\u00e9ments)
\nSalle des Ambassadeurs, Quirinale, Rome<\/p>\n

\u00c0 l’occasion de l’entr\u00e9e de l’\u0153uvre Colui che sono<\/em> (2020) d’Isgr\u00f2 dans la collection permanente du Quirinale, le palais pr\u00e9sidentiel italien \u00e0 Rome, nous vous invitons \u00e0 d\u00e9couvrir cette \u0153uvre dans laquelle l’artiste, suivant sa pratique de la cancellatura, efface les lois raciales, publi\u00e9es en 1938 par le r\u00e9gime fasciste.<\/p>\n

***<\/p>\n

\"\"<\/p>\n

\u00ab Lorsque j’ai re\u00e7u l’invitation \u00e0 participer au Quirinale, au m\u00eame moment, il y avait un air lourd en Italie. Il y avait des jours d’antis\u00e9mitisme exacerb\u00e9, avec de sombres menaces prof\u00e9r\u00e9es contre nombre de nos concitoyens simplement parce qu’ils \u00e9taient juifs. J’ai \u00e9t\u00e9 frapp\u00e9, en particulier, par la f\u00e9rocit\u00e9 r\u00e9serv\u00e9e \u00e0 la s\u00e9natrice Liliana Segre, une femme courageuse qui, en se battant pour les Juifs, d\u00e9fendait en pratique la dignit\u00e9 de tous les Italiens immunis\u00e9s contre la maladie raciste. Et ce, dans un pays qui ne s’est jamais totalement remis de son pire pass\u00e9. J’ai d\u00e9cid\u00e9 d'”annuler” les lois raciales vot\u00e9es par le fascisme en 1938, en assumant abusivement le privil\u00e8ge symbolique de gu\u00e9rir, au nom de l’art, le tort que nos fr\u00e8res pers\u00e9cut\u00e9s avaient subi apr\u00e8s avoir contribu\u00e9 de mani\u00e8re d\u00e9cisive, depuis le Risorgimento, \u00e0 la formation et \u00e0 la croissance de l’Italie moderne.\u00bb<\/p>\n

\"\"<\/p>\n

\u00ab Pour cette raison, j’ai d\u00e9lib\u00e9r\u00e9ment \u00e9vit\u00e9 les tons pi\u00e9tistes ou compensatoires, comme je l’ai fait il y a des ann\u00e9es avec l’\u0153uvre Les abeilles de la Torah<\/em> et avec la caisse des Rouleaux de la Loi<\/em> con\u00e7ue pour la synagogue de Livourne, o\u00f9 j’ai repr\u00e9sent\u00e9 les Juifs comme des abeilles occup\u00e9es \u00e0 recueillir le pollen de fleur en fleur, de culture en culture (hier les cultures et les fleurs de la M\u00e9diterran\u00e9e, aujourd’hui les fleurs du monde entier), pour le transporter de pays en pays. Jusqu’\u00e0 la fleur la plus pr\u00e9cieuse : le Dieu unique des trois religions monoth\u00e9istes. Cette fois encore, avec des ratures d’un rouge lib\u00e9rateur, j’ai pr\u00e9f\u00e9r\u00e9 donner \u00e0 nos “fr\u00e8res a\u00een\u00e9s” (comme les appelait Jean-Paul II) une image presque joyeuse, voire glorieuse. Je me suis souvenu du Pentateuque, o\u00f9 Dieu d\u00e9clare \u00e0 Mo\u00efse “Je suis qui je suis”, peut-\u00eatre pour signifier que ce qui n’a pas de nom est infini. Comme l’amour. Mais cela ne pouvait pas suffire, car, en relisant ces lois inf\u00e2mes, je me suis rendu compte que le texte original du Journal Officiel (“Est juif celui qui est n\u00e9 d’une m\u00e8re juive”) pouvait devenir, en le supprimant, un texte plus iconique, plus p\u00e9remptoire : “Est juif celui qui est”, correspondant automatiquement au “Je suis qui je suis” prononc\u00e9 par Yahv\u00e9 au Sina\u00ef, selon une ligne de contigu\u00eft\u00e9 avec le Dieu unique qui justifie le titre de “fr\u00e8res a\u00een\u00e9s” donn\u00e9 par le pape Wojtyla.<\/p>\n

Si Benedetto Croce a ressenti le besoin d’\u00e9crire un essai pour se demander ‘pourquoi nous ne pouvons pas ne pas nous appeler chr\u00e9tiens’, \u00e0 ce stade, peut-\u00eatre devrions-nous en \u00e9crire un autre pour nous demander ‘pourquoi nous ne pouvons pas ne pas nous appeler juifs’.\u00bb<\/p>\n

Emilio Isgr\u00f2, 2021<\/strong><\/p>\n

***<\/p>\n

VIDEO<\/strong> – Allocution du Pr\u00e9sident italien Sergio Mattarella \u00e0 l’occasion de l’inauguration officielle de l’installation d’Emilio Isgro au Quirinale, Rome (27 janvier 2021)<\/p>\n

\"\"<\/p>\n

Cliquez ici pour voir l’allocution du Pr\u00e9sident italien Sergio Mattarella<\/a><\/p>\n

***<\/p>\n

VIDEO<\/strong> – \u00c0 propos de la collection du Quirinale, Rome<\/p>\n

\"\"<\/a><\/p>\n

Cliquez ici pour voir un documentaire de la Rai sur la collection d’art contemporain du Quirinal.<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] << retourner aux news [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image source=”featured_image” img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Emilio Isgr\u00f2, Colui che sono, 2020, acrylique sur toile, sur panneau, installation (4 \u00e9l\u00e9ments) Salle des<\/p>\n","protected":false},"author":3,"featured_media":34076,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[290,264],"tags":[],"class_list":["post-34085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2021-fr","category-news"],"acf":[],"yoast_head":"\n\u00ab Colui che sono \u00bb d'Emilio Isgr\u00f2 est entr\u00e9 dans la collection permanente du Palais Quirinale, Rome - Tornabuoni Art<\/title>\n<meta name=\"robots\" content=\"index, follow, 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\/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u00ab Colui che sono \u00bb d'Emilio Isgr\u00f2 est entr\u00e9 dans la collection permanente du Palais Quirinale, Rome - Tornabuoni Art","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.tornabuoniart.com\/it\/colui-che-sono-di-emilio-isgro-entra-a-far-parte-della-collezione-del-quirinale-di-roma\/","og_locale":"fr_FR","og_type":"article","og_title":"\u00ab Colui che sono \u00bb d'Emilio Isgr\u00f2 est entr\u00e9 dans la collection permanente du Palais Quirinale, Rome - Tornabuoni Art","og_description":"[vc_row][vc_column][vc_column_text] << retourner aux news [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image source=”featured_image” img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Emilio Isgr\u00f2, 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