Sous la direction de l’essayiste et critique litt\u00e9raire Alexandra Zingone, grande connaisseuse de la po\u00e9sie d’Ungaretti et des artistes de son temps, l’exposition retrace un panorama de l’art italien et europ\u00e9en entre les ann\u00e9es 1910 et 1970, \u00e0 travers les mots du po\u00e8te, en pr\u00e9sentant, outre des documents d’archives, des \u00e9crits, de la correspondance et de la po\u00e9sie, une s\u00e9lection d’\u0153uvres de Giacomo Balla, Ardengo Soffici, Carlo Carr\u00e0, Gino Severini, Amedeo Modigliani, Giorgio de Chirico, Pablo Picasso, Enrico Prampolini, Ottone Rosai, Jean Fautrier, Franco Gentilini, Giuseppe Capogrossi, Alberto Burri et Piero Dorazio.<\/p>\n

L’exposition, ouverte jusqu’au 12 juillet 2024, est accompagn\u00e9e d’un catalogue publi\u00e9 par Forma Edizioni, ainsi que d’une plaquette sp\u00e9cialement \u00e9dit\u00e9e avec un essai d’Alexandra Zingone intitul\u00e9 “Mod\u00e8le et source de nombreux horizons”. Dorazio pour Ungaretti.<\/p>\n

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\nImage : Le po\u00e8te Giuseppe Ungaretti \u00e0 son bureau, Rome, 16 f\u00e9vrier 1963 \u00a9 Farabola \/ Alamy banque d’Images<\/p><\/div>\n

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vid\u00e9o<\/h2>\n

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publications<\/h2>\n

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s\u00e9lection des \u0153uvres<\/h2>\n

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