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Si nous projetons un rayon de lumi\u00e8re sur un mur en le passant \u00e0 travers un prisme, nous verrons devant nous la “Lumi\u00e8re”, dans toutes ses couleurs, le spectre de la “Lumi\u00e8re”. Tout cela concerne l’apparence physique des couleurs, et ce sont des sujets qui sont enseign\u00e9s \u00e0 l’\u00e9cole. Il existe cependant d’autres fa\u00e7ons d’entendre et de voir les couleurs pour les effets qu’elles ont sur notre esprit et nos \u00e9motions. Toutes les sciences, de la psychologie \u00e0 la chimie, utilisent les couleurs comme symboles ou preuves . Mais la caract\u00e9ristique la plus importante des couleurs est qu’elles stimulent notre imagination et cr\u00e9ent des \u00e9motions.<\/em><\/p>\nPiero Dorazio<\/strong>,\u00a0 Rigando dritto. Piero Dorazio scritti 1945-2004<\/em>, Cologno Monzese 2005, p. 338<\/p>\n[\/vc_column_text][vc_column_text el_class=”bouton-contenu-supplementaire”]En savoir plus[\/vc_column_text][vc_column_text el_class=”contenu-supplementaire”]<\/p>\n
Six ans apr\u00e8s sa derni\u00e8re pr\u00e9sentation parisienne sous le commissariat de Serge Lemoine, Tornabuoni Art est heureux d\u2019offrir une exposition de Piero Dorazio, p\u00e8re de l\u2019abstraction italienne, couvrant en vingt \u0153uvres quarante-cinq ann\u00e9es de la carri\u00e8re de l\u2019artiste.<\/p>\n
Peintre italien ne\u0301 a\u0300 Rome en 1927, Piero Dorazio commence a\u0300 e\u0301tudier l\u2019architecture, puis s\u2019oriente vers la peinture. S\u00e9duit par la richesse de la peinture a\u0300 l\u2019huile, Piero Dorazio est d\u2019embl\u00e9e absorbe\u0301 par la couleur ; il s\u2019attache e\u0301galement au mate\u0301riel et a\u0300 la technique : pr\u00e9paration des toiles, choix des pinceaux, pr\u00e9paration des couleurs. Ses d\u00e9buts picturaux datent de 1942-1943, p\u00e9riode pendant laquelle il peint des toiles de petites dimensions repr\u00e9sentant des paysages de la campagne romaine et des natures mortes.<\/p>\n
Apre\u0300s s\u2019e\u0302tre de\u0301tache\u0301 de la peinture figurative, il participe avec Pietro Consagra, Achille Perilli, Carla Accardi et Giulio Turcato a\u0300 la re\u0301daction du manifeste Forma 1 <\/em>en 1947. Ce manifeste, avec lequel il confirme son adhe\u0301sion a\u0300 l\u2019art abstrait, va guider l\u2019ensemble de toute son \u0153uvre.<\/p>\nAyant obtenu une bourse d\u2019e\u0301tudes du gouvernement franc\u0327ais en octobre 1947, il part pour Paris et s\u2019inscrit a\u0300 l\u2019E\u0301cole nationale supe\u0301rieure des Beaux-Arts. Il y rencontre Georges Braque, Fernand Le\u0301ger, Jean Arp, Alberto Magnelli. Il de\u0301couvre que Magnelli pratiquait de\u0301ja\u0300 l\u2019abstraction a\u0300 Florence en 1914. C\u2019est Magnelli qui lui fait connai\u0302tre Francis Picabia, Le Corbusier, Antoine Pevsner, Sonia Delaunay, mais aussi de plus jeunes artistes comme Jean Dewasne, Serge Poliakoff et Victor Vasarely.<\/p>\n
Dorazio n\u2019est pas seulement peintre, il est aussi critique d\u2019art, confe\u0301rencier et organisateur d\u2019expositions et deviendra en 1984 le critique attitre\u0301 du plus important journal national italien, Il Corriere della Sera. <\/em>Avec Achille Perilli et Mino Guerrini, Piero Dorazio s\u2019occupe de la librairie galerie L\u2019A\u0302ge d\u2019Or a\u0300 Rome qui exercera une grande influence sur l\u2019art italien de l\u2019e\u0301poque et sera reconnue a\u0300 l\u2019e\u0301chelle internationale. Le Groupe de ces trois artistes publie alors Forma 2 <\/em>en hommage a\u0300 Wassily Kandinsky, avec la participation de Nina Kandinsky. L\u2019A\u0302ge d\u2019Or est notamment fre\u0301quente\u0301 par Mark Rothko, Rufino Tamayo, Friedrich Hundertwasser, Libero Tancredi, Jean Dewasne, Roberto Matta, ainsi que Le\u0301on Degand et Gu\u0308nther Franke. De son co\u0302te\u0301, Andre\u0301 Bloc, directeur de la revue Art d\u2019Aujourd\u2019hui <\/em>a\u0300 Paris, propose a\u0300 Dorazio d\u2019en e\u0302tre le correspondant en Italie. A\u0300 ce moment, il est aussi nomm\u00e9\u0301 Secre\u0301taire de l\u2019Art Club International.<\/p>\nEn 1951-1952, le Groupe Origine fonde\u0301 par Mario Ballocco, Alberto Burri, Giuseppe Capogrossi et Ettore Colla invite les artistes de L\u2019A\u0302ge d\u2019Or a\u0300 ne former qu\u2019un seul mouvement qui devient la Fondazione Origine ; qui entretiendra de nombreux contacts avec les artistes ame\u0301ricains dont Cy Twombly et Mark Tobey.<\/p>\n
En 1953 et 1954, Dorazio se rend aux E\u0301tats-Unis, invite\u0301 a\u0300 participer au Harvard International Summer Seminar a\u0300 la Harvard University, a\u0300 Cambridge. A\u0300 l\u2019automne, il s\u2019installe pour une anne\u0301e a\u0300 New York. Gra\u0302ce a\u0300 Matta, il rencontre Joseph Cornell, Robert Motherwell, Leo Castelli, alors collectionneur, Enrico Donati et Marcel Duchamp. Il se lie d\u2019amitie\u0301 avec Willem de Kooning, Franz Kline, Barnett Newman, Helen Frankenthaler et d\u2019autres artistes new-yorkais, comme avec le critique d\u2019art Clement Greenberg, plus tard avec Kenneth Noland dont l\u2019art pre\u0301sente tant de similitudes avec le sien. Il entretiendra toute sa vie durant, une e\u0301troite relation avec les E\u0301tats-Unis, jusqu\u2019a\u0300 aider a\u0300 la fondation de la nouvelle Graduate School of Fine Arts de l\u2019University of Pennsylvania dans les anne\u0301es 60 qu\u2019il dirigea par la suite.<\/p>\n
D\u2019abord cubiste puis futuriste d\u2019esprit, insistant sur la structure et le rythme, Dorazio utilise tout de suite des couleurs vives et contraste\u0301es. Bien vite, le fil conducteur de son expression va devenir le geste, toujours construit et a\u0300 partir duquel il traduit la couleur et la lumie\u0300re.<\/p>\n
Abandonnant l\u2019approche classique a\u0300 la composition et au motif, Dorazio trouve son style vers 1957-1958, fonde\u0301 sur la lumie\u0300re et son irisation, exprime\u0301es a\u0300 la fois par la couleur et par la manie\u0300re de la poser avec des touches juxtapose\u0301es et croise\u0301es, une fac\u0327on pour lui de rendre hommage a\u0300 Giacomo Balla et a\u0300 son art du divisionnisme.<\/p>\n
En 1959, il participe a\u0300 l\u2019exposition Italienische Malerei<\/em> a\u0300 la Kunsthalle de Baden-Baden et a\u0300 la Documenta II<\/em> de Cassel. En 1960, Max Bill l\u2019invite a\u0300 l\u2019exposition konkrete kunst<\/em> a\u0300 Zurich. En 1965 il fait partie des artistes expose\u0301s a\u0300 la fameuse exposition The Responsive Eye<\/em> au Museum of Modern Art a\u0300 New York. En 1979, le Muse\u0301e d\u2019Art Moderne de la Ville de Paris lui consacre sa premie\u0300re re\u0301trospective en France. Par la suite, a\u0300 l\u2019initiative de Serge Lemoine, le Muse\u0301e de Grenoble organise en 1990 sa plus importante exposition en France, accompagne\u0301e d\u2019un catalogue fondamental du\u0302 a\u0300 Nathalie Vernizzi.<\/p>\nLes \u0153uvres de Piero Dorazio font partie de collections publiques et priv\u00e9es prestigieuses, dont le MoMA (New-York), la Tate Gallery (London), le Centre Pompidou (Paris), la Peggy Guggenheim Collection (Venise), la Galleria Nazionale d\u2019Arte Moderna e Contemporanea (Rome), le Mus\u00e9e del Novecento (Milan), la Galleria Civica d\u2019Arte Moderna e Contemporanea (Turin) la National Gallery of Art (Washington), le Hirshorn Museum and Sculpture Garden (Washington) le Art Institute of Chicago ou encore le Fine Arts Museums (San Francisco).<\/p>\n
Apre\u0300s une longue maladie, Dorazio de\u0301ce\u0300de en 2005, a\u0300 l\u2019a\u0302ge de 77 ans, a\u0300 Pe\u0301rouse.<\/p>\n
Communiqu\u00e9 de presse<\/a><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1614865422984{padding-top: 30px !important;padding-bottom: 15px !important;}”]<\/p>\n
S\u00e9lection d’oeuvres<\/h2>\n
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vid\u00e9o<\/h2>\n
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publications<\/h2>\n
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Piero Dorazio, Textures Lumineuses - Tornabuoni Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tornabuoniart.com\/fr\/exhibitions\/piero-dorazio\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Piero Dorazio, Textures Lumineuses - Tornabuoni Art\" \/>\n<meta property=\"og:description\" content=\"[vc_row css=”.vc_custom_1577099898580{margin-top: 100px !important;}”][vc_column width=”1\/4″ enable_sticky=”true” sticky_offset=”150″ alignment=”center” css=”.vc_custom_1547464395638{margin-bottom: 50px !important;}”][vc_column_text] << retourner aux expositions [\/vc_column_text][vc_custom_heading source=”post_title” font_container=”tag:h1|font_size:30px|text_align:center|line_height:30px” use_theme_fonts=”yes”][vc_separator css=”.vc_custom_1547225178042{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom:\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tornabuoniart.com\/fr\/exhibitions\/piero-dorazio\/\" \/>\n<meta property=\"og:site_name\" content=\"Tornabuoni Art\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TornabuoniArt\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-05T14:59:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tornabuoniart.com\/wp-content\/uploads\/2021\/01\/GTor-2021-Piero-Dorazio-001.gif\" \/>\n\t<meta property=\"og:image:width\" content=\"1771\" \/>\n\t<meta property=\"og:image:height\" content=\"1181\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/gif\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@TornabuoniArt\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tornabuoniart.com\\\/fr\\\/exhibitions\\\/piero-dorazio\\\/\",\"url\":\"https:\\\/\\\/www.tornabuoniart.com\\\/fr\\\/exhibitions\\\/piero-dorazio\\\/\",\"name\":\"Piero Dorazio, Textures Lumineuses - 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