De Maria, by contrast, was born in 1954 in Foglianise (Benevento) and soon settled in Turin, where he still lives today. He emerged with the artists of the Transavanguardia movement, which the art critic Achille Bonito Oliva defined as an \u201cattitude and philosophy of art that focuses on its own centrality and on the recovery of an inner rationale\u201d.\u00a0 Founded in 1979, it favored intuition and personal expression over the cerebral and conceptual current that had dominated the postwar art scene.<\/span><\/p>\nThroughout their respective careers, both artists upheld a steadfast commitment to abstraction as their primary mode of expression. In their early work, such as <\/span>Time Locker<\/span><\/i> (1963) for Dorazio, and <\/span>Nell\u2019occhio del bambino<\/span><\/i> (1981) for De Maria, there emerges a shared interest in the manifestation of what Dorazio described as an \u201cindefinable colored light.\u201d<\/span> Dorazio, however, explored the relationship between space, form, and color through rigorous, dynamic, and structured compositions, in which color becomes luminous architecture. De Maria, by contrast, worked through emotional and visionary stratifications, where dense, material color conveys a more intimate, poetic, and lyrical dimension.<\/span><\/p>\nFor De Maria, the \u201cfunction of color\u201d is to \u201ctrigger emotional jolts.\u201d Dorazio, on the other hand, maintained that one becomes a painter \u201cwhen, after studying in museums, exhibitions, and artists\u2019 studios the visual effects that only painting can produce, one understands that a painter has the power to create a personal virtual reality, capable of offering viewers phenomenal sensations such as light, space, distance, time, weight, and movement.\u201d<\/span> Dorazio\u2019s analytical approach thus stands in contrast to the spiritual attitude that guides De Maria. If for the former painting tends to become the construction of a \u201cvirtual reality,\u201d for the latter it aspires to be an \u201cexpression of Creation.\u201d<\/span><\/p>\nAnd yet, canvases such as De Maria\u2019s <\/span>Regno dei fiori \u2013 Sorridi faccia<\/span><\/i> (1984\u201385) inevitably recall, both chromatically and compositionally, paintings like Dorazio\u2019s <\/span>Leal<\/span><\/i> (1972), where shards of vibrant color stand out against an ultramarine ground. Indeed, Dorazio\u2019s canvases of this period\u2014often compared to the stained-glass windows of cathedrals\u2014seem to reveal, beneath their formalist rigor, an underlying concern with the spiritual dimension of light and color. Likewise, works such as Dorazio\u2019s <\/span>Felix orient<\/span><\/i> (1983) and De Maria\u2019s <\/span>Giardino e angeli + luci + baci (Giorno di Pasqua)<\/span><\/i> (1984\u201385) seem to converse compositionally, although Dorazio\u2019s brushstroke remains precise, almost kinetic, while De Maria\u2019s is more expressive and material.<\/span>[\/vc_column_text][vc_column_text css=”” el_class=”testo-giustificato”]The oeuvres of Dorazio and De Maria thus arise from different approaches, yet they share a common drive toward a free and independent way of painting, capable of acting directly on perception and on the emotions of the viewer. The unprecedented parallel between these two painters reveals two sides of the same coin: a modernist and a postmodern approach to light and color. Within the exhibition, the dialogue between research and expression, formalism and metaphysics merges into a single reticular reality, which we invite the Milanese and international public to experience. In the gallery spaces, the canvases encounter one another and converge irresistibly, revealing the indomitable nature of light and the ineffable power of color.<\/span>[\/vc_column_text][vc_column_text css=”” el_class=”testo-giustificato”]Press release<\/b><\/a>[\/vc_column_text][vc_row_inner el_class=”video-mostre”][vc_column_inner width=”1\/3″][vc_column_text css=”.vc_custom_1759318733630{padding-top: 50px !important;padding-bottom: 10px !important;}” el_id=”video”]<\/p>\nselected works<\/h2>\n
[\/vc_column_text][vc_single_image image=”60806″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][vc_single_image image=”57178″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][vc_single_image image=”63680″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”31492″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][vc_single_image image=”57175″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][vc_single_image image=”63689″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”50600″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][vc_single_image image=”63683″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][vc_single_image image=”63686″ img_size=”full” css=””][vc_column_text css=””][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner disable_element=”yes” preset=”preset_4″ content_preset=”_preset_4″ el_class=”blocco-pubblicazioni-mostre”][vc_column_inner][vc_column_text css=”.vc_custom_1568023309353{padding-top: 50px !important;padding-bottom: 10px !important;}” el_id=”publication”]<\/p>\n
publications<\/h2>\n
[\/vc_column_text][vc_basic_grid post_type=”ids” element_width=”12″ item=”4344″ grid_id=”vc_gid:1759319343134-3ad0bee0-2d1d-9″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”100px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
[vc_row css=”.vc_custom_1577099898580{margin-top: 100px !important;}”][vc_column width=”1\/4″ enable_sticky=”true” sticky_offset=”150″ alignment=”center” css=”.vc_custom_1547464395638{margin-bottom: 50px !important;}”][vc_column_text] << back to exhibitions [\/vc_column_text][vc_custom_heading source=”post_title” font_container=”tag:h1|font_size:30px|text_align:center|line_height:30px” use_theme_fonts=”yes”][vc_separator css=”.vc_custom_1547225178042{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom:<\/p>\n","protected":false},"featured_media":63664,"parent":0,"menu_order":0,"template":"","typology":[184],"class_list":["post-63143","exhibitions","type-exhibitions","status-publish","has-post-thumbnail","hentry","typology-past"],"acf":[],"yoast_head":"\n
Playing with Light and Color. A Dialogue between Nicola De Maria and Piero Dorazio - Tornabuoni Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tornabuoniart.com\/it\/exhibitions\/giocando-con-la-luce-e-con-il-colore-dialogo-tra-nicola-de-maria-e-piero-dorazio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Playing with Light and Color. 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![\"\"](\"https:\/\/www.tornabuoniart.com\/wp-content\/uploads\/2025\/10\/Giocando-con-la-luce-e-con-il-colore.-Dialogo-tra-Nicola-De-Maria-e-Piero-Dorazio-Tornabuoni-Arte-Milan-2025_2-scaled.jpg\" "\\"Giocando")
<\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div>![\"\"](\"https:\/\/www.tornabuoniart.com\/wp-content\/uploads\/2025\/10\/Giocando-con-la-luce-e-con-il-colore.-Dialogo-tra-Nicola-De-Maria-e-Piero-Dorazio-Tornabuoni-Arte-Milan-2025_1-scaled.jpg\" "\\"Giocando")
<\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div>![\"\"](\"https:\/\/www.tornabuoniart.com\/wp-content\/uploads\/2025\/10\/Giocando-con-la-luce-e-con-il-colore.-Dialogo-tra-Nicola-De-Maria-e-Piero-Dorazio-Tornabuoni-Arte-Milan-2025_4-scaled.jpg\" "\\"Giocando")
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